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Steal This University

The Rise of the Corporate University and the Academic Labor Movement

Steal This University( )
Editor: Johnson, Benjamin
Kavanagh, Patrick
Mattson, Kevin
ISBN:978-0-415-93484-8
Publication Date:Jan 2003
Publisher:Routledge
Book Format:Paperback
List Price:USD $67.95
Book Description:

Steal This University explores the paradox of academic labor. Universities do not exist to generate a profit from capital investment, yet contemporary universities are increasingly using corporations as their model for internal organization. While the media, politicians, business leaders and the general public all seem to share a remarkable consensus that higher education is indispensable to the future of nations and individuals alike, within academia bitter conflicts brew over the...
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Book Details
Pages:272
Detailed Subjects: Education / Schools / Levels / Higher
Business & Economics / Labor / Unions
Education / Teaching / General
Physical Dimensions (W X L X H):5.928 x 8.892 x 0.663 Inches
Book Weight:0.95 Pounds
Author Biography
(Editor)
"My life has in many ways been a tragedy and a failure," wrote Patrick Kavanagh toward his death. Born in Innishkeen, County Monaghan, Kavanagh ended his formal education after grammar school. He lived on a farm in his native parish until moving to Dublin in 1939, which he later described as one of the great mistakes of his life. There he supported himself primarily through journalism until awarded a sinecure of #400 a year for extramural lectures at University College, Dublin. After an illness in the mid-1950s, he grew resigned to obscurity and mellowed in his long literary war with both Irish repression and the Irish literary establishment. Besides his journalism, he also wrote novels of an autobiographical type.

Sprung from Roman Catholic peasant stock, Kavanagh saw himself as voicing his own heritage against more anglicized (and more famous) writers. His first volume, Ploughman and Other Poems, established the rural themes that mark much of his verse. His best-known, and perhaps his greatest poem, The Great Hunger (1942), follows a potato farmer named Patrick Maguire through the famine of the 1840s and presents a blistering attack on the sexual and spiritual deprivation of rural Irish peasantry. Kavanagh later criticized the poem as lacking humor, and his subsequent work shows a more temperate acceptance of the ironic comedy of life, as in "Canal Bank Walk."

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