This book goes beyond the stock characterizations of Goodhue as a derivative architect or protomodernist. It shows Goodhue as a talented exemplar of the free eclectism of the late nineteenth century, an innovator who freshly interpreted traditional forms.
This book goes beyond the stock characterizations of Goodhue as a derivative architect or protomodernist. It shows Goodhue as a talented exemplar of the free eclectism of the late nineteenth century, an innovator who freshly interpreted traditional forms.